Dialogue Part 5 | Fairlight EQ & iZotope EQ
Dialogue editing wouldn't be dialogue editing without an EQ. In fact, I can't imagine sound design without an EQ. And not track based only, but a solid clip based EQ. More on that in a second.
I personally shoot with a Sennheiser MKH 416 and record on the Sound Devices MixPre-II. Quality stuff for indie budgets. However, it is not uncommon for me to get dialogue that has bad stuff going on in certain frequencies. Stuff that can cause spikes on meters and negatively affect an overall LUFS rating in a mix. Or keep sound from sound as good as it needs to.
But an EQ fixes this. And this is just a single example of what they can do.
In this lesson we explore the Fairlight EQ (both track and clip based). We also take a look at the Neutron 4 EQ from Izotope.
If you're new to using an EQ, this lesson will turn the lights on for you. And you'll soon realize that you'll never not use an EQ when doing sound design for your films!
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