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Film editors have been called invisible artists, the final storytellers, unsung heroes. They are also wonderful mentors, passionate about their work and eager to pass on their wisdom and knowledge. Film historian Bobbie O'Steen moderates a panel that focuses on three very talented editors – Carol Littleton, ACE, Norman Buckley, ACE and Brandi Bradburn, ACE – who have helped so many aspiring editors achieve their goals. They will discuss their own career choices that led them down unpredictable and inspiring paths to success and screen some of their work to explain what they learned about shaping compelling, entertaining stories. They'll also give valuable advice on how to build and nurture collaborative relationships and how to advocate for a healthy work/life balance.
Moderator: Bobbie O'Steen "Cut to the Chase," "The Invisible Cut"
Speakers: Carol Littleton, ACE (E.T., The Big Chill), Norman Buckley, ACE (The O.C., Sweet Magnolias) & Brandi Bradburn, ACE (Grey's Anatomy, This Is Us)
Recorded live on July 9, 2020
Bobbie O'Steen is a New York-based writer and film historian, dedicated to sharing the editor’s invisible art with students, professionals, and cinephiles. Educated at Stanford University, she is an Emmy-nominated® film editor and author of two acclaimed books: "Cut to the Chase," based on interviews with her late husband and colleague, legendary editor Sam O’Steen, filled with stories from the cutting room and behind the scenes on such landmark films as "The Graduate" and "Chinatown." The Invisible Cut deconstructs the editing process as well as classic movie scenes from such films as "Rear Window" and "The French Connection" through a cut-by-cut analysis.
Her latest book, "Making the Cut at Pixar" – to be published next year – is authoritative media-rich eBook about the editor’s pioneering role in computer animation. More info at www.bobbieosteen.com
Brandi Bradburn came up through television with 20 years experience in the cutting room. She was an American Cinema Editor Intern in 2000, and became an full-fledged ACE member in 2016. Brandi is also a member of the DGA, Motion Picture Editors Guild, the Television Academy, and Alliance of Women Directors. Her credits include "Law and Order SVU," "The O.C.," "Studio 60," "Hart of Dixie," "Grey’s Anatomy," "This Is Us" and the "Dynasty" pilot. She has edited two feature films as well as the web series Rockville, CA, executive produced by "Fake Empire."
Norman Buckley is a prolific director whose work spans various networks, genres, and styles. His credits include "Pretty Little Liars," "Charmed," "In The Dark," "Zoo," "Quantico," "Rizzoli and Illes," "Chuck," "Gossip Girl," and "The O.C.." He is co-executive producer/producing director on "Pretty Little Liars" "The Perfectionists” and the upcoming Netflix show "Sweet Magnolias."
Carol Littleton is one of Hollywood’s talented and successful film editors. Her editing career spans 40 years, with more than 35 feature films to her credit. Ms. Littleton began a close collaboration with writer-director Lawrence Kasdan in 1981 with his directorial debut, "Body Heat." She continued her collaboration with Kasdan on eight more films, including "The Big Chill," "Silverado," "Grand Canyon," and "The Accidental Tourist." Ms. Littleton has collaborated with director Jonathan Demme on four films, including "Swimming to Cambodia," "Beloved," and "The Manchurian Candidate." Littleton received an Academy Award nomination in 1982 for Steven Spielberg’s "E.T." Other films she has edited include Robert Benton’s "Places in the Heart," "Tuesdays with Morrie" (Emmy Award for editing) and the restoration of Erich Von Stroheim’s 1926 classic "Greed." In 2016 the American Cinema Editors awarded Littleton their Career Achievement Award.
Manhattan Edit Workshop’s Sight, Sound & Story event series format has moved online. Due to COVID-19, Sight, Sound & Story has delayed its live in-person events (June's Post Summit & November's The Art of Cinematography) until 2021. Until that time the event series will be a live online monthly event series. This series will feature unique guests and subjects that will vary between editing, cinematography, and all aspects of filmmaking.
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