Manhattan Edit Workshop

Sight, Sound & Story: Live "Making the Grade: Color in TV & Film"

Sight, Sound & Story: Live - Inside the Cutting Room of "Schitt's Creek"

Sight, Sound & Story - Making it Work From Editor to Director

Sight, Sound & Story: Live - Inside the Cutting Room of Sam OSteen

Sight, Sound & Story: Live - Inside the Cutting Room of Dede Allen

Sight, Sound & Story: Live "Behind the Lens with John Simmons, ASC"

Sight, Sound & Story: Live - Remote Sound Editing Workflow for Film

Sight Sound & Story: Live: Making it Work: From Assistant Editor to Editor

Sight, Sound & Story Live The Role of the VFX Supervisor Visual Effects in Post

Sight, Sound & Story: Live - Making it Work: From Editor to Producer

Sight, Sound & Story: Live - "Mentors inside the Cutting Room"

Editor Bill Henry, ACE, on Working Through Continuity Issues to Make a Scene Work in "Succession"

How to Sync Audio and Video in Final Cut Pro X

Ted Lasso Sound Editors & Foley Artist Break Down a Scene from Season 2 of the Series!

Learn how to Create the Ken Burns Effect in Premiere Pro

Manhattan Edit Workshop Six Week Workshop Student Profile: Mindy Lee

Manhattan Edit Workshop Six Week Workshop Student Profile: Loulwa El Khoury

Learn how to Delete Render Files in Final Cut Pro X

How to Automate a Sequence in Adobe Premiere Pro

How to Create Bins in Premiere Pro

How to do Basic Animation Techniques in Motion

How to Remove Attributes in Final Cut Pro X

Learn how to Add Transitions to Connected Clips in Final Cut Pro X

How to Sync Audio and Merge Clips in Premiere Pro

Saving Effects Presets in Final Cut Pro X

How to Edit with Proxy Files in Final Cut Pro X

How to Add a Gap Clip in Final Cut Pro X

How to Make Keyboard Shortcuts in Final Cut Pro X

How to do a Basic Green Screen in Avid Media Composer

What Are Bins in Avid Media Composer?

Sight, Sound & Story 2019: Behind the Lens with Dean Cundey, ASC Part VII

How to Shoot Movies on a Canon 5D Mark III

How to do Color-Coding in Logic Pro X

How to Modify Animation Presets in Adobe After Effects

How to Link AVCHD Media in Avid Media Composer

How to Use Timecode Overlays in Final Cut Pro X

How to Match Frame in Final Cut Pro X

Sight, Sound & Story: Live "SoundShow: Sound Design in Film & TV"

Sight, Sound & Story - Behind the Sound of "Everything Everywhere All at Once"

How to Link to Footage in Avid Media Composer

Editor Dylan Tichenor, ACE on Editing an Ensemble in "Boogie Nights"

Photo Plus Expo 2017: On the Show Floor with Westcott

Sight, Sound & Story 2019 Behind the Lens with Dean Cundey ASC, Part VI

How to Transcode Clips in Avid Media Composer

How to do a Quick Trim - Top & Tail in Avid Media Composer

How to Import Still Images into Avid Media Composer

Making the Grade: Color in TV and Film featuring Colorists Eric Whipp and Andrea Chlebak

How to Import Footage from a Hard Drive in Final Cut Pro X

How to Import Footage from a Card in Final Cut Pro X

DaVinci Resolve Classes at Manhattan Edit Workshop 2017

How to Add Custom Export Destinations in Final Cut Pro X

How to Use Speed Ramping/Time Remapping in Premiere Pro

How to Change Connection Points in Final Cut Pro X

Learn how to Import Images into Premiere Pro

How to Use the Extract and Lift Tools in Avid Media Composer

How to Export a 1080p Sequence in Premiere Pro