Tate

‘I'm drawn to things that are hidden, like the intangible bits of history' – Jasleen Kaur | Tate

'It's not a dress rehearsal' – Delaine Le Bas | Tate

'Beautiful things can be vessels for painful stories' – Pio Abad | Tate

'Art should be for everyone' – Mari Katayama | Tate

"Not all things are for sale" – artist Edgar Calel's family portrait | Tate

I needed to remember me – Zanele Muholi on their series Somnyama Ngonyama | Tate

A Day in the Life of a Tate Security Officer | Tate

First Encounter: Tai-Shan Schierenberg on Portrait of a Young Woman | Tate

Enter the Mothership: artist Yto Barrada's Tangier garden | Tate

Tania Bruguera and Tate Neighbours – The Art of Social Change | Tate Exchange

How Christopher Nolan Was Inspired by Francis Bacon

Ai Weiwei – Sunflower Seeds | Artist Interview | Tate

1914 & 1915 | Meet 500 Years of British Art

Barbara Hepworths Sculpture Garden | TateShots

Artist David Salle – Good Painting Has Immediate Impact | TateShots

5 Locations that Inspired Barbara Hepworth | Tate

Jeremy Deller at the Turner Prize Retrospective 1984–2006 | TateShots

Jeremy Deller – Procession | TateShots

Why havent I heard of the artist Hilma af Klint? | Tate

3 Minute Wonder: Carl Andre – 144 Magnesium Square

Carl Andre – Works of Art Dont Mean Anything | TateShots

Warp x Tate – Warp Records and Jeremy Deller

Oral History | Animating the Archives

Pre-Raphaelites: William Morris Bed

Queer Cornwall: Marlow Moss, Gluck and Ithell Colquhoun in Lamorna | Tate

Art & Language – Conceptual Art, Mirrors and Selfies | TateShots

Anthea Hamilton | Turner Prize Nominee 2016 | TateShots

Mark Rothko at Tate Modern | TateShots

Step inside the Barbara Hepworth Museum and Sculpture Garden | Tate

1940s | Meet 500 Years of British Art

Anthea Hamilton – The Squash | Tate Britain Commission | Tate

Explore the history of The Tanks at Tate Modern | Tate

Matisse Live: Ballet Meets Art

Barbara Hepworth – A New Form for Sculpture | TateShots

Helen Marten | Turner Prize Winner 2016 | TateShots

Where Are the Women? With Jemima Kirke | Unlock Art | Tate

Barbara Hepworths Letters | TateShots

Artist Damien Hirst at Tate Modern | Tate

Marina Abramović – Presence, Energy and Endurance | TateShots

William Kentridge – ‘Art Must Defend the Uncertain’ | Artist Interview | TateShots

Antony Gormley: Breaking Bread | TateShots

Barbara Kruger – Consumerism, Power and the Everyday | Fresh Perspectives | Tate Collective

Robert Morris Interactive Installation at Tate Modern (Trailer)

Mark Ruwedel – Studio Visit | TateShots

Afterlives of Slavery in Contemporary Art – The Black Atlantic: Episode 4 | Tate

Radical Landscapes: British Gypsy, Roma and Traveller Communities in Art | Tate

Why Dance in a Museum? | How Art Became Active | Ep. 1 of 5 | TateShots

Discover the New Tate Modern

The Story of Paula Rego’s Painting ‘The Dance’ | Tate

Hurvin Anderson – It’s questioning my history, my place | Tate

The New Tate Modern: Introduction by Nicholas Serota

Bree Runway on Linder, empowerment and creating your own identity | Reframed | Tate Collective

The World Goes Pop with Alan Cumming | Unlock Art | Tate

Gustav Metzger – Auto-Destructive Art | TateShots

Lucy McKenzie – Its important to stay true to your desires | Tate

Juergen Teller – Studio Visit | TateShots

Why Study Art? | TateShots

A Brief Guide to Egyptian Surrealism | Tate