Tate

‘I'm drawn to things that are hidden, like the intangible bits of history' – Jasleen Kaur | Tate

'It's not a dress rehearsal' – Delaine Le Bas | Tate

'Beautiful things can be vessels for painful stories' – Pio Abad | Tate

'Art should be for everyone' – Mari Katayama | Tate

"Not all things are for sale" – artist Edgar Calel's family portrait | Tate

I needed to remember me – Zanele Muholi on their series Somnyama Ngonyama | Tate

A Day in the Life of a Tate Security Officer | Tate

First Encounter: Tai-Shan Schierenberg on Portrait of a Young Woman | Tate

Enter the Mothership: artist Yto Barrada's Tangier garden | Tate

Art & Language – Conceptual Art, Mirrors and Selfies | TateShots

Anthea Hamilton | Turner Prize Nominee 2016 | TateShots

Mark Rothko at Tate Modern | TateShots

Step inside the Barbara Hepworth Museum and Sculpture Garden | Tate

1940s | Meet 500 Years of British Art

Anthea Hamilton – The Squash | Tate Britain Commission | Tate

Explore the history of The Tanks at Tate Modern | Tate

Matisse Live: Ballet Meets Art

Barbara Hepworth – A New Form for Sculpture | TateShots

Helen Marten | Turner Prize Winner 2016 | TateShots

Where Are the Women? With Jemima Kirke | Unlock Art | Tate

Barbara Hepworths Letters | TateShots

Artist Damien Hirst at Tate Modern | Tate

Marina Abramović – Presence, Energy and Endurance | TateShots

William Kentridge – ‘Art Must Defend the Uncertain’ | Artist Interview | TateShots

Antony Gormley: Breaking Bread | TateShots

Barbara Kruger – Consumerism, Power and the Everyday | Fresh Perspectives | Tate Collective

Robert Morris Interactive Installation at Tate Modern (Trailer)

Mark Ruwedel – Studio Visit | TateShots

Afterlives of Slavery in Contemporary Art – The Black Atlantic: Episode 4 | Tate

Radical Landscapes: British Gypsy, Roma and Traveller Communities in Art | Tate

Why Dance in a Museum? | How Art Became Active | Ep. 1 of 5 | TateShots

Discover the New Tate Modern

The Story of Paula Rego’s Painting ‘The Dance’ | Tate

Hurvin Anderson – It’s questioning my history, my place | Tate

The New Tate Modern: Introduction by Nicholas Serota

Bree Runway on Linder, empowerment and creating your own identity | Reframed | Tate Collective

The World Goes Pop with Alan Cumming | Unlock Art | Tate

Gustav Metzger – Auto-Destructive Art | TateShots

Lucy McKenzie – Its important to stay true to your desires | Tate

Juergen Teller – Studio Visit | TateShots

Why Study Art? | TateShots

A Brief Guide to Egyptian Surrealism | Tate

What are Archives? | Animating the Archives

Art in Focus | R.B. Kitajs painting of The Wedding | Tate

Marta Minujín – I Believe in Magic | TateShots

Shirin Neshat - Dreams Are Where Our Fears Live | Tate

How art can inspire solidarity across borders | Tate

William Eggleston | TateShots

Jankel Adler's Sketchbooks – 'His life was one long journey' | Tate

Artist Vivienne Binns - "Waiting for Those Little Moments of Inspiration" | Tate

Hew Locke – 'Let's make something positive' | Tate

Liliane Lijn – 'I Want People to See Sound' | Artist Interview | TateShots

Ingrid Pollard – 'It's all a story or clues' | Turner Prize Nominee 2022 | Tate

A Year in Art: Australia 1992 | Tate

Christo and Jeanne-Claude Wrap Up the Reichstag | Lost Art

Art in Focus | Life of an Artwork: Quadrille by Rose English | Tate

How to Print Like Warhol | Tate

30 Years of the Turner Prize