insaf ka mandir hai ye bhagwan ka _part1,2&3_Amar_Madhubala,Dilip& Nimmi_Rafi_Shakeel_Naushad_a tri.
Song : insaaf ka mandir hai ye bhagwan ka ghar hai..
Film : Amar(1954)
Singer(s): Mohammad Rafi, Chorus,
Lyricist: Shakeel Badayuni
Music Director: Naushad,
Producer/Director: Mehboob Khan,
Cast : Nimmi,Dilip Kumar,Madhubala,Jayant, Ulhas,Mukri,Husn Bano,Amar,Murad,siddaqui,
Production Co.: Mehboob Khan Production Pvt. Ltd.
Lyrics :-
Part 1] :----
-- during casting--
ra: insaaf kaa mandir hai ye bhagavaan kaa ghar hai -2
ko: insaaf kaa mandir hai ye bhagavaan kaa ghar hai
ra: kahanaa hai jo kah de tujhe kis baat kaa Dar hai
hai khoT tere man me.n jo bhagavaan se hai duur -2
hai.n paa.Nv tere
--casting ends here-
Part 2]:-----
-Dilip and Madhubaalaa go to temple-
ra: insaaf kaa mandir hai ye bhagavaan kaa ghar hai
kahanaa hai jo kah de tujhe kis baat kaa Dar hai
hai khoT tere man me.n jo bhagavaan se hai duur -2
hai.n paa.Nv tere
hai.n paa.Nv tere phir bhii tuu aane se hai majabuur
aane se hai majabuur
himmat hai to aa jaa ye bhalaa_ii kii Dagar hai
insaaf kaa mandir hai ye bhagavaan kaa ghar hai
dukh de ke jo dukhiyo.n se na insaaf karegaa
bhagavaan bhii usako na kabhii maaf karegaa
ye soch le -2
ye soch le har baat kii daataa ko Kabar hai
daataa ko Kabar hai
himmat hai to aa jaa ye bhalaa_ii kii Dagar hai
ko: insaaf kaa mandir hai ye bhagavaan kaa ghar hai
Part 3]:----
--at the end nimmi gets justice as dilip kumar weds her--
ra: maayuus na ho haar ke taqadiir kii baazii
pyaaraa hai vo Gam jisame.n ho bhagavaan bhii raazii
dukh dard mile
dukh dard mile jisame.n wohii pyaar amar he
wohii pyaar amar he
ye soch le har baat kii daataa ko Kabar hai
ko: insaaf kaa mandir hai ye bhagavaan kaa ghar hai -2
Amar ( "Immortal") is a 1954 Indian Hindi-language romantic drama film produced and directed by Mehboob Khan.Dealing with the controversial subject matter of rape, the film revolves around the titular upper-class lawyer (Dilip Kumar), his feminist fiancé, the social worker Anju Roy (Madhubala), and Sonia (Nimmi), a poor milkmaid
Plot:-
Amarnath (Dilip Kumar) is a lawyer and is engaged to Anju (Madhubala), the daughter of a wealthy landowner. However, after he meets a poor girl, Sonia (Nimmi), he rapes her, and refuses to admit it. Sonia also refuses to say who raped her. When her fiance Shankar is killed she is accused of his murder.Anju Rai lives a wealthy lifestyle with her widowed dad in a palatial house. She is now of marriageable age, and her dad has arranged her marriage with Advocate Amarnath. Both Anju and Amarnath meet and fall in love with each other. Shortly before their formal engagement, Anju notices a change in Amarnath - as he appears to be drifting further from her. Then he decides to demolish his house and re-built it, and also refuses to go near any Mandir - either alone or in Anju's company. When part of the house collapses, he is injured, but recuperates quickly. It is then the town is set afire with rumors that Amarnath may have sexually molested a village belle named Sonia, who sells milk, lives a poor lifestyle with her widowed dad, cruel step-mother, and is to be married to the village goon, Shankar. Watch what happens when Shankar gets killed, and Sonia is arrested for killing him. Written by rAjOo ([email protected])
A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, succumbs to a weak moment and rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it...
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Production ..an interesting anecdote..
For the role of Anju Roy, Mehboob Khan had initially cast the actress Meena Kumari. However, due to some reasons, Kumari could not continue shooting and left the film. Following Kumari's departure, the shooting came to a halt and several actresses made unsuccessful tries to achieve the high-profile role. In late 1952, Raj Kapoor phoned Khan requesting him to cast Nargis (whom Kapoor was dating then) in the role. However, at this time, there was a considerable amount of lobbying from Dilip Kumar's side also, to take Madhubala in the film. Finally, Khan had to refuse to Kapoor and choose Madhubala on Dilip Kumar's insistence.
Awards...
Filmfare Best Sound Award for R. Kaushik
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