Music Publishing Explained: Why 95% of songwriters don’t make money from publishing royalties
Discover why 95% of songwriters don't earn significant money from publishing royalties in our latest video. We delve into the complexities of music publishing, explaining why royalties often represent the lowest income stream for creatives and take months to arrive. We explore the disproportionate payouts between music publishing and master rights, the implications of sync royalties, and the challenges faced by songwriters in the industry. Plus, learn actionable steps songwriters can take to demand fair compensation and navigate contracts more effectively. Join our 60-Day Record Label course to revolutionize your approach to music publishing.
00:00 - Let’s talk
00:47 - Music Publishing is the slowest royalty
01:48 - Music Publishing is the lowest income stream according to music sales.
03:04 - Music Publishing is the lowest income stream across the music industry.
03:37 - Music Publishing sync royalties are spit according to original songwriter splits.
04:18 - Why is publishing revenue royalty based only?
05:46 - How should songwriters get paid?
07:30 - How can the songwriter get paid more?
07:54 - What’s the easiest way to approach this problem?
08:52 - How many points should songwriters get?
09:06 - But that means the artist will get a smaller royalty right?
10:31 - Does the producer get paid on the sync royalty from the master?
11:47 - When songwriters demand more
12:02 - When songwriters bow out
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