Photographer Alexander Gronsky: "The country is a question"// "Tell Gordeeva"
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THIS VIDEO IS NOT, AND IS NOT INTENDED TO, PROPAGANDISE ANYTHING
NOTIFICATION AT THE DEMAND OF THE RUSSIAN AUTHORITIES THAT THE MATERIAL WAS CREATED AND DISTRIBUTED BY A FOREIGN AGENT
Photographer Alexander Gronsky has been documenting the changes in Russia since 2022. More precisely, he focuses on its epicenter – Moscow. Sometimes it seems that everything speaks on his photographs: billboards, traffic lights, road signs, inscriptions on the clothes of random people caught in the frame.
We met with Gronsky in Moscow, at the Rechnoi Station, and discussed what a wartime project looks like in a time that pretends to be peaceful.
#скажигордеевой #гронский
Contents:
00:00 "You can spot a true master by their terrible technique."
1:42 "The most banal Moscow scenery"
3:31 Why Gronsky failed to become a photographer for National Geographic
5:02 How Alexander Gronsky became the main documentary photographer of modern Russia
6:05 "I don't believe in photography that reveals the inner world"
7:30 Learning to control beauty
10:52 "I'm inside the funnel and recording it" – we're at Crocus City Hall
14:11 How Gronsky's method and Leo Tolstoy's are similar?
16:24 Two of Gronsky's favorite photographers
17:20 What is photography?
18:52 "I don't shoot all of Moscow. I shoot what has changed"
20:09 " - What would you photograph here? - Nothing yet"
22:14 Gordeeva and Gronsky suddenly become witnesses to the demolition of Tsentrnauchfilm
26:11 "I went to Russia for the Tallinn of my childhood"
27:35 "In Tallinn I feel a loss"
28:24 "The river of people flows around the corpse" - Gronsky's first impression of St. Petersburg
30:41 "My first Estonian acquaintance appeared when I was 18"
33:08 "I immediately took a Russian passport for myself"
36:17 "I enjoy walking around wastelands and abandoned buildings"
38:35 "I didn't go to study anywhere, I went to the library to look at photo magazines"
41:10 "We look for a second bottom, a hidden meaning in everything" - why Gronsky shoots billboards
44:43 "On the day of Navalny's death, I shot a poster: "No one is superfluous""
46:08 "They don't pay for this, magazines don't publish it, you can get a beating"
48:32 "My opinions break through into photography"
50:12 "All the signs on the street today are carefully chosen. It means there is an additional meaning in them"
53:17 "Country P, country J, country M, country U.. What the hell is this?"
58:18 "I don't take portraits for myself"
59:27 "Photo of a cozy hell"
1:01:26 "We are scared of changes in the blind spot"
1:03:57 We are inside Gronsky's photograph
1:09:08 Sudden criticism of the hero in cult Soviet films
1:11:06 "The eternal return of the past - Russia's contribution to world culture"
1:13:33 "Repetitions fascinate me"
1:14:07 Playing a game of "find ten differences" in Gronsky's cult Schema series
1:18:48 "I fly from Magadan to Moscow and have no idea where I am"
1:20:52 What frame couldn't Gronsky shoot?
1:24:23 "I'm in the shadow of my wife"
1:26:38 "I'm hypnotized by what's happening, it's hard to break free"
1:31:41 "I'm risking my body. I'm ready to accept it"
1:33:29 "Russia - a territory of unbridled madness"
1:34:21 "What if the project never ends?"
Alexander Gronsky / gronsky
Katerina Gordeeva https://t.me/skazhigordeevoy
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