Grade School: Inside A Senior Colorist's Resolve Toolbox
This week we're going behind the scenes as I walk you through my personal Resolve tool-set, from plugins to powergrades, sharing what I have (and don't have) and why, how I came to choose the tools, how often I use them, and more!
3:00 - Node Trees
5:00 - Output Display Transform Powergrades
16:00 - Back to node tree // deeper explanation of nodes in node tree, the ways they're used, getting photometric adjustments, and project level color management
26:00 - Input Display Transform Powergrades
27:00 Nuances of different color management pipelines
33:00 Q: How do you ensure you are broadcast-safe?
37:41 Cullen's toolbox
40:00 The LMS Color Model
43:42 The miscellaneous toolbox
48:24 Q: How do you decide what color management pipeline you want to use?
51:00 Q: How would you determine 18% gray for a different log format?
53:00 Q: Why do clips in a bigger color space than what a display uses appear flat and desaturated instead of clipped and oversaturated?
56:47 Q: How to you organize your databases and projects within them?
59:32 Q: Would it be ideal to use the Arri LUT for your ODT?
1:05:00 Q: Do printer lights sometimes work better before luma adjustments?
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Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Get all of my freebies with my free Color Grading & Look Design Kit!
http://procolor.ist/starter-kit
Want professionally designed, studio-quality LUTs for your LUT folder? Check out my Voyager LUT pack:
https://procolor.ist/voyager-lut-pack
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
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