Cullen Kelly

Pro Colorist Explains Gamma

Color Science Talk w/ TAC Resolve Training

How to Grade Red Camera Footage

Better Color Balance pt. 3: Dealing with Problem Footage

Davinci Resolve: Create Better Contrast, Part 1

Pro Colorist Shares Tips for Grading Problem Footage

Power Window Principles: Pro-level imagery using powerful secondaries

Grade School: Pro Colorist Answers Your Look Design Questions

Grade School: Q&A about working with RAW footage

How to adapt any LUT for the Alexa 35

Grade School: Watch a Senior Colorist Grade in Real Time

How advanced colorists use qualifiers in DaVinci Resolve

5 pro colorist tips for navigating every grade like you know what youre doing

Get Better Color Balance pt. 1

Grade School: AMA

Cinematography Masterclass: Mastering Exposure

Grade School: Pro Colorist talks client expectations

Why grading Phantom footage sucks in Resolve

What is Color Grading?

Basic Look Creation in DaVinci Resolve pt. 2

Color Grading: Thinking Photographically

Pro Colorist Reviews Resolves New Film Look Creator | Resolve 19 Beta

How to color manage RAW footage using nodes in DaVinci Resolve

My New Year Approach to Color Grading

An interview w/ Corinne Bogdanowicz

What is a macro look?

How to Shoot Your Film For The Grade (Or commercial)

Three Tricks to Improve Your Grade

Master Scopes Inside of DaVinci Resolve

Grade School: Pro Colorist AMA

An interview w/ Joseph Slomka

Grade School: Mastering Qualifiers

The Teal and Orange Look: Pro Colorist Reveals 3 Techniques to Do It Right

Basic Creative Look Development in DaVinci Resolve Pt. 1

Understanding Contrast Ratio

Pro Colorist explains HDR tools in DaVinci Resolve

How to Grade Blackmagic Camera Footage

Davinci Resolve: ACES Explained, Part 1

What everyone gets wrong about Exposing To The Right

The DaVinci Resolve 18.5 update to put into your workflow right away

How to Color Manage using Nodes in DaVinci Resolve

Turn your Apple monitor into a color accurate display in DaVinci Resolve

Use Resolve Like a Pro: DaVinci Wide Gamut Workflow, pt. 3

DaVinci Resolve: Understanding Node Trees

How to create a low contrast look in DaVinci Resolve

The Truth About LUTs

Secret tip for getting the best film emulation in DaVinci Resolve

Show LUT Design Course

How use noise reduction like a pro in DaVinci Resolve

Color Grading vs Color Correction