The sophomore record from the Québécois solo act Gulguhk, spearheaded by the prolific artist behind Ifernach, Maeströ Cröque Mört, and Aufnorden, among others, presents a notable evolution in sound and style.
In comparison to the debut album, this record exhibits a significant shift towards a more atmospheric concept. The malevolent atmosphere that characterised the earlier work has been partially set aside, though not entirely abandoned, as synths continue to play a crucial role. This evolution aligns Gulguhk with the broader approach in this region, where atmospheric black metal is used to create a rich layered soundscape.
The album achieves an ethereal quality through a balance of guitars and synths, crafting an effulgent atmosphere that is quite immersive. The melodies, while retaining an underlying saccharine quality, do not detract from the album's inherent aggression. This juxtaposition of endearing harmony and ferocity is a hallmark of the Québécoise black metal.
Despite its atmospheric leanings, “Pillé, Vendu et Trahi” does not stray from its black metal roots. The vocals remain fiercely cold and chilling, perfectly complementing the instrumental backdrop. The drumming is particularly noteworthy, showcasing a step-up in performance with its commanding presence and tight execution, propelling the album forward with relentless rhythm.
“Pillé, Vendu et Trahi” marks a significant step forward for Finian Patraic, as he demonstrates not only improved songwriting but also a remarkable ability to incorporate atmospheric elements while retaining the raw aggression that defines black metal.
Band: Gulguhk
Album: Pillé, Vendu et Trahi
Year: 2024
Label: Pile of Heads Productions
Genre: Atmospheric Black Metal
Country: Canada
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Tracklist:
1. Comme l'aigle qui revient 0
2. D'azur et d'Éternité 04:54
3. Rats de cale et catins du Roy 08:26
4. Mon Berceau, ton tombeau 13:02
5. Le Mythe de la Roche Percee (Yvan Goll) 17:41
6. L'enfer aux jaloux (Jean Auvrav) 22:04
All rights belong to Gulguhk and Pile of Heads Productions.
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