Drum Mixing Tutorial: The Importance of OH and Room mics.
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0:00 Intro
0:44 The Most Important Part of your Drum Mix
1:30 Song demonstration
1:49 The OH mics
3:33 Hear the OHs
4:29 The Room Mics
5:22 Hear the Room mics
5:57 Hear the OHs and Room mics together!
6:18 Supplementing with close mics
7:40 Example with MIDI programmed drums
8:41 EPK Template
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DAW / Program I Use:
Cubase Pro
Vocal Chain:
Mic - U47, WA251, AKG414, WA84
Preamp - Neve 1073, TB12
Compressor - LA2A, 1176 (Rev A & D)
I/O - Lynx Aurora (n)
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My Gear:
DAW: Cubase 13 Pro
Desk: Zaor Onda Angled
Main Microphone: U47, WA251
Monitors: Focal Solo6 Be
Interface: Lynx Aurora (n)
Compressor: LA2A, 1176 (Rev A & D)
MIDI Keyboard: M-Audio Hammer 88
Guitars: Fender American Stratocaster, Fender Standard Telecaster, Gibson Les Paul Studio, Epiphone Les Paul Custom, Fender Precision Deluxe Bass, Taylor 814ce, Martin DC1e
Preamps: Neve 1073DPD, TB12
Extra Microphones: AKG 414, WA87, WA84, SE VR1, Shure SM57
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Drums are the foundation of many songs, especially in Pop, Rock and Country. As a result they need to sound stellar... fat, punchy, and have lots of impact.
The most important aspect of achieving a great drum sound is your Overhead and Room tracks. In most mixes, these account for probably 70-80% of the overall drum sound. The close mics are then there to supplement this and add any extra character needed.
In this video I show you exactly how I record and mix drum overheads and room mics to achieve a professional drum mix.
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