The Internet seems to have a lot of opinions on Jack Antonoff’s production style. Many of those takes are baloney.
“Almost everything I’ve ever read about myself is not just a couple of inaccuracies, but like massively fraught,” he tells World Cafe.
He’s talking about a video that made the rounds a few years ago, in which a content creator tries to guess whether Antonoff produced certain songs within seconds.
“Part of me wanted to be like – a bunch of these songs you identified, the part you identified I never touched.”
Such ardent scrutiny over his production work comes, in part, from his list of star collaborators: Lorde, Lana Del Rey, Clairo and Taylor Swift are just a few.
But rather than stoking the digital dumpster fire, the @bleachersmusic frontman minds his business. He prefers to maintain a level of mystery around his craft. That’s why Bleachers is so important to him; It’s a place Antonoff can turn to when things get a little too loud.
“It’s just really hard to care about anything but what you care about the most, so it felt like a really nice time to make an album,” he says about the band’s self-titled fourth album. “Every signal that I was receiving was sort of like – nothing here is worth believing in, so just look completely inward.”
You can check out the full interview and performance over on our channel.
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