Canadian cities are shapeshifters for international filmmaking, but will they ever get to play themselves?
Chasing Hollywood with Broey Deschanel Episode 4. Watch the full series:
Episode 1 — Why is No One Watching Canadian Film?: • Why is No One Watching Canadian Film?
Episode 2 — Does Art Beat Commerce in the Canadian Film Debate?: • Does Art Beat Commerce in the Canadia...
Episode 3 — Why You Never See Canadian Films in Canadian Theatres: • Why You Never See Canadian Films in C...
Hosted by Broey Deschanel:
/ @broeydeschanel
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Sources:
Amanda Coles, “Unintended Consequences: Examining the impact of tax credit programmes on work in the Canadian independent film and television production sector,” Cultural Trends, Vol. 19 (1-2) (2010).
Charles H. David and Janic Kaye, “International Production Outsourcing and the Development of indigenous Film and Television Capabilities: The Case of Canada” in Locating Migrating Media, Lexington Books (2010).
Mike Gasher, Hollywood North: The Feature Film Industry in British Columbia, UBC Press (2002).
Sam Lubell, “Playing the Role of New York? Toronto. That View of Paris? It’s Montreal.” The New York Times (2021).
Ted Magder, Piers Handling, Peter Morris “Canadian Film History: 1974 to Present”, The Canadian Encyclopedia (November 28, 2019).
Vanessa Matthews, “Set Appeal: Film Space and Urban Development”, Social & Cultural Geography, Vol. 11 (2) (March 2010).
Witold Rybczynski, “A Brief History of Recent Canadian Architecture,” Architecture Magazine, (December 19th, 2019).
Peter Urquhart, Film History/Film Policy: From the Canadian Film Development Corp. to Telefilm Canada” in Self Portraits: The Cinemas of Canada Since Telefilm, Edited by André Loiselle & Tom McSorley, The Canadian Film Institute (2006).
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