We compare 13 available 120 black and white and color film stocks from Kodak, Ilford, Fujifilm, and CineStill.
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KODAK: https://bhpho.to/2nMv6Nl
ILFORD: https://bhpho.to/2HXyAXd
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TABLE OF CONTENTS:
2:14 - Low ISO Black and White
2:19 - Fujifilm Acros 100
3:30 - Ilford 100
3:50 - Ilford 125
4:30 - Kodak TMAX 100
5:21 - Medium ISO Black and White
5:25 - Ilford Delta 400
5:52 - Ilford HP5 400
7:01 - Ilford XP2 Super 400
7:44 - Kodak TMAX-2 400
8:16 - Kodak Tri-X 400
9:41 - High ISO Black and White
9:46 - Ilford Delta 3200
10:20 - Low ISO Color
10:26 - Kodak Portra 160
10:50 - Kodak Ektar 100
11:27 - CineStill 50D
12:08 - Medium ISO Color
12:11 - Fujifilm Pro 400H
12:19 - Kodak Portra 400
13:08 - High ISO Color
13:14 - Kodak Portra 800
13:25 - CineStill 800 Tungsten
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FILM STOCKS FEATURED:
Kodak Ektar 100 - https://bhpho.to/2HVzrrm // https://amzn.to/2HXuRst
Kodak Portra 160 - https://bhpho.to/2FdPspL // https://amzn.to/2HVzELa
Kodak Portra 400 - https://bhpho.to/2nMv6Nl // https://amzn.to/2JpRUf6
Kodak Portra 400H - https://bhpho.to/2nMv6Nl // https://amzn.to/2qYcVG8
Kodak Portra 800 - https://bhpho.to/2FbHIo9 // https://amzn.to/2JmUXVl
Kodak Tri-X 400 - https://bhpho.to/2E5fQX8 // https://amzn.to/2qXqBkK
Kodak TMAX-2 400 - https://bhpho.to/2FeUJ0a // https://amzn.to/2JnAgsl
Ilford 100 - https://bhpho.to/2FhwpuM // https://amzn.to/2HsNJyP
Ilford 125 - https://bhpho.to/2HYN21h // https://amzn.to/2I2j6RX
Ilford HP5 400 - https://bhpho.to/2FeoXQS // https://amzn.to/2JoyGGQ
Ilford Delta 400 - https://bhpho.to/2HXyAXd // https://amzn.to/2vKtZ8k
Ilford XP2 Super 400 - https://bhpho.to/2FbNhTn // https://amzn.to/2r1zZ7c
Ilford Delta 3200 - https://bhpho.to/2HXtlqh // https://amzn.to/2JpqaXU
Fujifilm Acros 100 - https://bhpho.to/2Fe62FV // https://amzn.to/2r1Rzrt
Fujifilm Pro 400H - https://bhpho.to/2HVYcnc // https://amzn.to/2qYyeY3
Cine Still 50 - https://bhpho.to/2FdXOxH // https://amzn.to/2I2jmQV
Cine Still 800 Tungsten - https://bhpho.to/2HVYkDc // https://amzn.to/2vIbPnM
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Jay P. Morgan has been working as a Commercial Photographer and Film Director in the Los Angeles area for more than 20 years developing an impressive list of clients from Paramount to McDonald's. Jay P.'s experience with elaborate set design and extensive lighting are key to the success of his illustrative work.
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