Rachel Pimm and Graham Cunnington, an earshare / to cassay the earth crust part 1 (2021)
Each pebble found on the shingle of Orford Ness is matter, something that could absorb and conceal impact, each an untapped archive of the geological past and the Ness’s military histories. With this interpretation, artist Rachel Pimm created new visual and sound works. Taking the environment as a point of departure for further exploration they expanded on found historical traces; referencing the contradictory behaviour of particle physics in the field of quantum mechanics.
As the buildings on the Ness rewild, the nature reserve green-washes the military past. Salty deposits escape concrete surfaces, static buildings cry and sweat. Trauma manifests through rock and concrete.
To expand on this work, Pimm invited Graham Cunnington, a founding member of the industrial music collective Test Dept, to compose an antimatter soundtrack of granular sounds of the environment, featuring a quantum pebble that is both instrument and transmission, object and a wavelength.
Created by Rachel Pimm and Graham Cunnington, 2021
With special thanks to Ludmilla Andrews, Andrew Capell, and Paul Couch.
It is strongly recommended that this film is experienced with headphones on.
an earshare / to cassay the earth crust part 1 is part of a series of newly commissioned works for Afterness, inspired by Orford Ness and created to be experienced online. This film has been created to be experienced alongside a number of visual, moving and text-based elements as a larger commissioned project of the same name. Explore in full at artangel.org.uk/afterness/earshare-cassay-earthcrust/
For more information on Afterness visit artangel.org.uk/afterness/
Commissioned by Artangel for Afterness.
Presented in partnership with the National Trust.
Supported by Artangel’s Guardian Angels. Artangel is generously supported using public funding by Arts Council England, and by the private patronage of The Artangel International Circle, Special Angels, and The Company of Angels.
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