Recreating a Historical Portrait in 3D with Mahmoud Salah
Recreate a historical 3D portrait using Maya, ZBrush, Substance Painter, XGen, Marvelous Designer & Arnold with Mahmoud Salah:
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MAYA, ZBRUSH, SUBSTANCE PAINTER & MARVELOUS DESIGNER WORKFLOW
Mahmoud Salah, character and creature artist, takes artists on a journey of discovery, starting with a scan of an ancient statue together with a modern-day human head scan that he projects onto the ancient statue to help reimagine the historical figure.
With the sculpt and facial details defined in ZBrush, Mahmoud uses Substance Painter to carefully align and enhance the skin texture. He instructs how to use Arnold for the look development process and how to leverage the esteemed Skin Shader, and dives deep into the eye setup and rendering workflow for realistic CG eyes.
The hair grooming is handled using XGen in Maya to help push the realism of the artwork to the next level with hyper-realistic brows, lashes, and stubble. To adorn the character, in the final stage of the workshop, Mahmoud creates key accessories for the King, demonstrating his workflow for modeling and texturing a headdress and ornamental collar to display the character in its full glory.
The goal of this workshop is to teach the skills artists need to reconstruct and reimagine any historical character in 3D.
CHAPTERS:
— Gathering References
— Preparing Scans
— Projecting onto the Statue
— Refining the Sculpt & Likeness
— UV and ZBrush Map Export
— Texturing: Part 1
— Texturing: Part 2
— Texturing: Part 3 + Look Development
— Revisiting Modeling & Texturing
— Look Development: Part 2
— Eye Setup: Part 1
— Eye Setup: Part 2
— Grooming in XGen
— Accessories: Part 1
— Accessories: Part 2
— Lighting
— Compositing
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