It's not as thorough as the outstanding reviews by Philip Bloom or Gerald Undone, but this is what I love about this camera and why I think it's a worthy cinema camera to upgrade to for the professional filmmaker; particularly for the Sony user. The entire talking head portion as well as the introduction were shot with the FX9 in S-Cinetone with no color grade added in post.
Philip's Review: • Review of the Sony PXW- FX9: THE MOVIE
Gerald's Review: • My Thoughts on the Sony FX9…
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