The Un-Private Collection: David Salle and Hilton Als
The next program in The Un-Private Collection series will present a conversation with artist David Salle and writer Hilton Als. The pair will discuss Salle's new book HOW TO SEE: Looking, Talking, and Thinking about Art, among other topics.
About David Salle
Painter David Salle has taken the device of pastiche and made it both the form and the content of his work. His canvases are populated with dramatic images lifted from sources as various as Salle’s own black-and-white photographs, eighteenth- through twentieth-century French and American painting, 1950s print advertising and how-to-draw manuals. The juxtaposition of these images gives his paintings a mystery and charge that intrigued the art world in the 1980s and made him a leading artist of what is commonly known as the return to painting or post-modernism. Salle’s paintings are in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Metropolitan Museum of Art, the National Gallery in Washington D.C., the Los Angeles County Art Museum, Tate Modern, the National Galerie Berlin and many others. The Broad collection includes 14 paintings by Salle.
About Hilton Als
Hilton Als became a staff writer at The New Yorker in 1996, a theater critic in 2002 and chief theater critic in 2013. His first book, The Women, a meditation on gender, race and personal identity, was published in 1996. His most recent book, White Girls, discusses various narratives around race and gender and was nominated for a 2013 National Book Critics Circle Award in Criticism. In 2014 he wrote the catalogue essay for Robert Gober: The Heart is Not a Metaphor at the Museum of Modern Art. He has also written articles for The Nation, The Believer, and The New York Review of Books, and collaborated on film scripts for Swoon and Looking for Langston. Als has taught at Wesleyan, Wellesley, Smith and the Yale School of Drama. He lives in New York City.
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