harp duo two harps dos arpas SUBMERGED Miguel del Aguila zwei harfen deux harpes
https://migueldelaguila.com
for sheet music:
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Vega Harp Duo
Carolyn Munford - Vonda Darr, harp
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SUBMERGED duo for two haps
music: Miguel del Aguila
publisher: Miguel del Aguila (BMI)
©Copyright 2013 by Miguel del Aguila
All Rights Reserved for All Countries
Submerged performed by Vega Harp Duo Carolyn Munford and Vonda Darr, harpists World Premiere of harp duo version of Submerged Savannah, GA - January 22, 2021
Submerged, written in 2013 was commissioned by Hat Trick and Brigham Young University. It is based on Alfonsina Storni's romantic, surrealist poem "Yo en el fondo del mar" On the surface, both the poem and music seem innocent and light-hearted, but one feels differently when the author’s fascination with the sea, and her later suicide by drowning in it, are taken into consideration. The piece follows the form of the poem except for the lively introduction and a coda which illustrate the poet's childhood near her native Argentine Andes, and in Switzerland. With six harp loud chords, the piece “falls” deep underwater: this slow middle section is mysterious, intimate and magical. It recreates the poem's isolated submerged world where fish with flowers, octopus and sirens dance while birds chirp happily far above water. The harp uses unusual extended techniques, some stemming from Paraguayan harp playing. “In my interpretation of Storni’s poem this underwater world is that special place of isolation where many artists withdraw to create, a place and mood that can easily turn into depression. A place that ultimately Alfonsina chose to remain and which became her death. In my Submerged, I continued the events of the poem and made the listener return to the real world above water. This return is triggered by the memories of her childhood as a music box Ländler which turns into a Vidalita, both music which Alfonsina would have heard in her childhood.
Vega Harp Duo - Harpists Vonda Darr and Carolyn Munford have enjoyed performing together for nearly 20 years. Carolyn began taking harp lessons from Vonda when she moved to Augusta, Georgia, at age 15. Thus began a mentorship and friendship that has spawned innumerable recitals, teaching projects, and ensemble collaborations over the years. Carolyn and Vonda are currently principal harpists with their respective symphonies, and can often be seen performing together around the southeast. Realizing a mutual love for beautiful melodies, orchestral harp repertoire, and discovering which modern pop music sounds best on the harp, they relish every opportunity they have to play together
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