VFX History: Optical Printers
Beyond the basic explanation of "blue screen", have you ever wondered how they used removed the blue from a background. These days compositing software makes it simple to select a colour and make it transparent, but before After Effects and similar compositing software existed, the entire process was done optically with physical film strips, lights and cameras.
Join me in a deep dive as I share with you what I've discovered about the labour intensive process involved. By the end of the video, I hope you'll be as awed as I am over the lengths companies like Industrial Light & Magic (ILM) went to in order to make cinema magic.
(I also feel that I should point out, the optical printers ILM used were "computer controlled" so that all the frames and timings lined up correctly. Everything was still composited optically.)
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Chapters
0:00 Old movies
3:58 A quick primer
5:37 An optical printer
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Bibliography
Vargo, M. Bluescreen 1980 (2016), MarkVargo.com. Available at: https://markvargo.com/videos/blue-scr... (Accessed: 06 January 2024).
Knoll, J. Old School School 1 - Optical Compositing (2019). Available at: https://vimeo.com/318705942 (Accessed: 06 January 2024).
Kasden, L. Light & Magic (27th July 2022). Disney. Available at: https://www.disneyplus.com/home (Accessed: 06 January 2024).
The evolution of green screen: from early-stage to LED blue screen (2021) Neweb Labs. Available at: https://neweblabs.com/the-evolution-o... (Accessed: 01 January 2024).
Goldwyn, E. (1985) How to film the impossible UK: BBC. Available at: • Horizon's look a ILM and VFX - Part 1... (Accessed: 06 January 2024).
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