Shirley Bassey - TILL / Dusty Springfield - I'm Coming Home Again (1979 Show #3)
1979 (Shirley hosts Dusty Springfield on her TV Variety Show)
Shirley Bassey and Dusty Springfield - Two GIANTS of the recording/music Industry!
This song was originally recorded and released as a track on Shirley's 1961 LP titled, 'Shirley Bassey'.
ABOUT this song:
"Till" is a popular song with music by Charles Danvers. The original French lyrics were written by Pierre Buisson, and the English lyrics by Carl Sigman. First popularized by Italian singer Caterina Valente.
LYRICS:
Till the moon deserts the sky
Till all the seas run dry
Till then I'll worship you
Till the tropic sun grows (turns) cold
Till this young world grows old
My darling, I'll adore you
You are my reason to live
All I own I would give
Just to have you adore me
Till the rivers flow upstream
Till lovers cease to dream
Till then I'm yours, be mine
You are my reason to live
All I own I would give
Just to have you adore me
Till the rivers flow upstream
Till lovers cease to dream
Till then I'm yours,
be mine
ABOUT Dusty Springfield:
Mary Isobel Catherine Bernadette O'Brien OBE (16 April 1939 -- 2 March 1999), known professionally as Dusty Springfield, was a British pop singer whose career extended from the late 1950s to the 1990s. With her distinctive sensual sound, she was an important white soul singer, and at her peak was one of the most successful British female performers, with 18 singles in the Billboard Hot 100 from 1964 to 1970. She is a member of the Rock and Roll Hall of Fame and the U.K. Music Hall of Fame. International polls have named Springfield among the best female rock artists of all time. Her solo career began in 1963 with the upbeat pop hit, "I Only Want To Be With You" (1963). Among the hits that followed were "Wishin' and Hopin'" (1964), "I Just Don't Know What to Do with Myself" (1964), "You Don't Have to Say You Love Me" (1966), and "Son of a Preacher Man" (1968). A fan of American pop music, she was the first public figure to bring little-known soul singers to a wider British audience, when she created and hosted the first British performances of the top-selling Motown artists in 1965. By 1966, she was the best selling female singer in the world, and topped a number of popularity polls, including Melody Maker's Best International Vocalist. She was the first British singer to top the New Musical Express readers' poll for Female Singer. Her image, supported by a peroxide blonde beehive hairstyle, evening gowns, and heavy make-up, made her an icon of the Swinging Sixties.
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