Album III Jazz Guitar Random Scales - Allan Holdsworth Style Intermorphic Generated by Dave Luebbert
Allan Holdsworth Style 3 Piece Band Intermorphic Programmed Generated Music - Meant to imitate his style as much as possible from my own personal perspective and creative energy. The guitar collections I use in Ableton Live for lead guitar are various combinations I use to try to mimic the incredible guitar sounds of Holdsworth’s, some modified to keep mostly the attack plucking sound then combined with a sort of ambient/lead instrument sound, and others with various other attributes. The Bass is a digital electric based on the Boffner with some tweaks, and the drum set is based on the Memphis Studio.
The Intermorphic software called “Noatikl” is midi based that creates the random programmed music, and here is a description of some particulars in how I programmed it to get the musical results found in these videos, but this is not a definite recipe as I am constantly adjusting and experimenting:
Three channels:
Channel 1 for guitar and one voice each for each of the guitar’s six strings. Using Repeat Bar or Rhythmic for each Voice Type, and the same starting pitch as found on a standard tuned guitar, with numbered Pitch Range for each string. Each voice is given a Phrase Length randomly and Phrase Gaps for each voice, that is, the number of possible rests between the phrases.
Channel 2 for the bass guitar, using Rhythmic or Repeat Bar Voice Type and a Pitch Range, Phrase Length from, Phrase Gaps with selected numbers.
Channel 10 for percussion, and one voice each of the 28 or so different percussion types in the drum set. The voices are given Repeat Bar or Rhythmic Voice Type. Phrase Length are randomly chosen and the Phrase Gaps are randomly selected.
The following are just examples of what my process might look like but as I constantly tweak it, experiment, and adapt many different variables, this may or may not be the case for the music heard on my audio recordings. There are many different attributes in the creation of these MIDI (Musical Instrument Device Interface) generations. The total is a recipe of things like voices following other voices’ patterns, patterns that may repeat and if so within a specified range of values, velocities randomly selected within a possible range, randomly selected “next notes” that depend of intervals, harmony rules, and many others that can all be interdependent or independent :
Guitar string voices are set to use one another’s Follow Voice with various percent usage probability, Strategy is usually Chordal Harmony for all voices with all delay settings set to 0.
All voices use Repeat randomly for each voice, and selected numbers for Bars, Bars Range, History, and History Range depending on preference.
All voices all use Patterns of (100 B 240 0), with varying numbers depending on preference for Use Percent, Mutation Factor, Bars Between, Bars Range, Mutate Rhythm.
All voices set to 1 Chord Depth and Depth Range anywhere from 0 to 10 depending on preference, and all voices with varying percent Depth probability.
Rules: Harmony Rules, Next Note Rules, Rhythm Rules, Scale Rules, Voice Root all set to random, and all voices set to Harmonize.
Scripts include a script for each guitar string voice to follow a possible suggested pattern structure of five different measure types.
Articulation set with selected numbers for Minimum to selected number for Range.
Scale Rules I use:
Major, Whole Tones, Minor, Dorian, Hypophrygian, Lydian, Pentatonic, Phyrgian, Chromatic, and the ones Allan Holdsworth described on his DVD: Minor Major 7, Minor Major 7 Flat 6, Minor Major 7 Plus 4, Double Diminished, Jazz 1, Jazz 2, Jazz 3, Symmetrical.
Harmony, Next Note, Rhythm Rules, all created by myself as varying, assorted types, and that is where some individual artistic preferences should be used.
All songs are saved as audio MP3 digital recordings at varying bpm at varying lengths. I am not particular in using any root as the scales are more important to me. A video might contain all one type of scale or a mixture of different scales, and if one scale is used it may modulate into different keys.
After MIDI creates the files, I then open them in Ableton Live and can modify and change each voice, modify envelopes, etc., as to preference and what seems to be most appropriate for a given piece.
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