Album VIII - Random Scales Allan Holdsworth Style Intermorphic Generated Music by David Luebbert
For this album I found a new technique to use in producing the guitar string voices, especially for chording and arpeggiating. The result is more of a musical form that sounds more human and natural, rather than a random sounding production of sound. The rhythms are more obvious, and the software does a great job in harmonizing together with all three instruments.
Allan Holdsworth Style 3 Piece Band Intermorphic Programmed Generated Music - Meant to imitate his style as much as possible from my own personal perspective and creative energy. The guitar collections I use in Ableton Live for lead guitar are various combinations I use to try to mimic the incredible guitar sounds of Holdsworth’s, some modified to keep mostly the attack plucking sound then combined with a sort of ambient/lead instrument sound, and others with various other attributes. The Bass is a digital electric based on the Boffner with some tweaks, and the drum set is based on the Memphis Studio. Assembling of MIDI in Ableton Live, also audio files creation for MP3.
The Intermorphic software called “Noatikl” is midi based that creates the random programmed music, and here is a description of some particulars in how I programmed it to get the musical results found in these videos, but this is not a definite recipe as I am constantly adjusting and experimenting:
Three channels:
Channel 1 for guitar and one voice each for each of the guitar’s six strings. Using Repeat Bar or Rhythmic for each Voice Type, and the same starting pitch as found on a standard tuned guitar, with numbered Pitch Range for each string. Each voice is given a Phrase Length randomly and Phrase Gaps for each voice, that is, the number of possible rests between the phrases.
Channel 2 for the bass guitar, using Rhythmic or Repeat Bar Voice Type and a Pitch Range, Phrase Length from, Phrase Gaps with selected numbers.
Channel 10 for percussion, and one voice each of the 28 or so different percussion types in the drum set. The voices are given Repeat Bar or Rhythmic Voice Type. Phrase Length are randomly chosen and the Phrase Gaps are randomly selected.
The following are just examples of what my process might look like but as I constantly tweak it, experiment, and adapt many different variables, this may or may not be the case for the music heard on my audio recordings. There are many different attributes in the creation of these MIDI (Musical Instrument Device Interface) generations. The total is a recipe of things like voices following other voices’ patterns, patterns that may repeat and if so within a specified range of values, velocities randomly selected within a possible range, randomly selected “next notes” that depend of intervals, harmony rules, and many others that can all be interdependent or independent :
Guitar string voices are set to use one another’s or no Follow Voice with various percent usage probability, Strategy is usually Chordal Harmony for all voices with various delay settings.
All voices use Repeat randomly for each voice within given percentage ranges, and selected numbers for Bars, Bars Range, History, and History Range depending on preference.
All voices all use Patterns with varying numbers depending on preference for Use Percent, Mutation Factor, Bars Between, Bars Range, Mutate Rhythm.
All voices set to 1 Chord Depth and Depth Range anywhere from 0 to 10 depending on preference, and all voices with varying percent Depth probability.
Rules: Harmony Rules, Next Note Rules, Rhythm Rules, Scale Rules, Voice Root usually set to random, and all voices set to Harmonize.
Articulation set with selected numbers for Minimum to selected number for Range.
There are other touches and tweaks of my own gained through personal trial and error over the years which I will keep to myself. But the basic recipe is above.
Scale Rules I use:
Major, Whole Tones, Minor, Dorian, Hypophrygian, Lydian, Pentatonic, Phyrgian, Chromatic, and the ones Allan Holdsworth described on his DVD: Minor Major 7, Minor Major 7 Flat 6, Minor Major 7 Plus 4, Double Diminished, Jazz 1, Jazz 2, Jazz 3, Symmetrical.
Harmony, Next Note, Rhythm Rules, all created by myself as varying, assorted types, and that is where some individual artistic preferences should be used.
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SOFTWARE:
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