Low-Production Tutorials

6 Sweep Mesh and Curves

5 Quad Draw and Make Live

4 Blockout the Environment

3 Blockout the Character in Maya

2 Make Imageplanes in Maya

1 Make a Maya Project

Putting Stabby on Charlie's Back

Stabby Sleeping Shot

Charlie's Alarm Clock Shot

DSU Reel 2024

16 Color Controls, Limit Translations, lock and Hide Channels - Maya Mech Arm Rigging

15 Constraints on Joints and Controls with Scripts - Maya Mech Arm Rigging

6 Maya Ambient Occlusion to After Effects Compositing

8 Maya Arnold to After Effects Cryptomattes

30 Substance 3d Painter - Clone Brush

4 Maya Arnold to After Effects Compositing AOVS Renders

4 Constriants Overview - Maya Mech Arm Rigging

90 Zbrush and Substance Stone - Using Zbrush Surface tool and Creating Stone in Substance 3D Painter

14 Constraints on Joints and Controls - Maya Mech Arm Rigging

10 Intro to Skin Binding - Maya Mech Arm Rigging

74 Maya Modeling - Flowers - Using Duplicate Special and Instancing

80 Maya Animation - Intro to Animation and Camera Animation

2 Planning - Maya Mech Arm Rigging

82 Squid Guy Timelapse - Zbrush Sculpt, Rotopo, and UV

68 Maya Render Camera- Create your Render Cam

88 Maya Arnold Materials - Setting up Glass with Liquid in it - Nested Dielectrics

5 Setting up After Effects for ACES

72 Maya Mash- The Grass - Intro to Mash

73 Zbrush Tree- Intro to Zspheres

11 Maya Arnold to After Effects Render Queue with ACES

24 Substance Painter Displacement and Height

86 Substance 3D Painter - Setting up Subsurface Scattering

1 Maya Rigging - Planets and Hierarchy

43 Image Planes and Starting the Anatomy Blockout - Intro to Zbrush

79 Maya - Cleaning up your scene and Organized with Groups

9 Maya Arnold to After Effects Depth of Field

3 Maya Arnold Ambient Occlusion Render Layers

27 Substance 3d Painter - Generators and Fill layers

87 Substance 3D Painter to Arnold - Setting up Subsurface Scattering