Lorraine Hunt Lieberson; "Fantouches"; Claude Debussy
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Lorraine Hunt Lieberson--mezzo-soprano
Julius Drake---piano
1999; LIVE
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"Lorraine Hunt Lieberson (March 1, 1954 – July 3, 2006) was an American mezzo-soprano. She was noted for her performances of both Baroque era and contemporary works. Her career path to becoming a singer was unconventional – formerly a professional violist, Lieberson did not shift her full-time focus to singing until she was in her thirties.
One of four children,[1] Lorraine Hunt was born to parents who were both involved with opera in the San Francisco Bay Area. Her mother, Marcia, was a contralto and music teacher and her father, Randolph, taught music in high school and college. She performed as a child in Engelbert Humperdinck's Hänsel & Gretel, as a gingerbread boy. She returned to opera after taking part in a charity performance of the same work at a prison, this time taking Hänsel's role.[2] After this performance, she auditioned for the Met, at age 29.
While rehearsing in his opera Ashoka's Dream at Santa Fe in 1997, she met composer Peter Lieberson. She married him two years later, changing her name to Lorraine Hunt Lieberson.[3] Peter Lieberson's song cycles Rilke Songs and Neruda Songs, both available on CD, were composed especially for his wife.
Hunt Lieberson died from breast cancer in Santa Fe, New Mexico on July 3, 2006, at the age of 52. Only a few years previously, she had nursed her sister through her final illness with the same disease.[3] Her husband fell victim to cancer too, falling ill in 2007 and dying in April 2011.[4]
Career
Hunt Lieberson began her musical career as a violist, and became principal viola with the San Jose Symphony. At age 26, she turned to studying voice seriously at the Boston Conservatory of Music. Her professional career as a singer began in 1984, and in 1985 she made her operatic debut after meeting Peter Sellars, appearing in his 1985 production of Handel's Giulio Cesare. She began her career as a soprano, singing roles such as Handel's Theodora and Donna Elvira in Sellars' notorious production of Don Giovanni, but soon gravitated to the mezzo-soprano range. She began working with Craig Smith at Emmanuel Music as a violist, then sang in the chorus and began taking leading roles.[5] Her work with Emmanuel continued throughout the 1980s and 1990s, and a recording of her work there in Bach and Handel was released in 2008 by Avie Records, "Lorraine at Emmanuel."
Her debut performance at the Metropolitan Opera came during the 1999–2000 season, in eleven performances in the role of Myrtle Wilson in the world premiere of John Harbison's The Great Gatsby (first performance on December 20, 1999).[1] During this same season, she also appeared as Sesto in the New York City Opera's production of Mozart's La clemenza di Tito, as well as playing La Pelerin in Kaija Saariaho's Clemence at the Salzburg Festival. Her only other appearances at the Met came in two gala performances where she sang the spiritual "Deep River" (1999), and the fourth act of Bizet's Carmen in 2000, and finally four performances in February, 2003 in the role of Dido in Berlioz's 'Les Troyens. She was scheduled to sing the role of Orfeo in a new production of Gluck's Orfeo ed Euridice. On her death, she was replaced by countertenor David Daniels, and the four performances run in May 2007 were dedicated to her memory..
In June 2005, Hunt Lieberson made her last appearance in Amsterdam, performing the Sellars staging of Bach's Ich habe genug. Her final public performances were given on March 16, 17, and 18, 2006, at Orchestra Hall in Chicago, in Mahler's Symphony No. 2 (Resurrection) with the Chicago Symphony Orchestra and Chorus,[6] conductor Michael Tilson Thomas and soprano Celena Shafer.
In the late 1980s and early 1990s, before her marriage to Peter Lieberson, Lorraine Hunt rose to prominence in the repertoire of George Frideric Handel. She performed and recorded opera and oratorios with the Göttingen International Handel Festival, under Nicholas McGegan's direction. Her recordings include Ariodante, Serse, "Messiah" (as a soprano), "Clori, Tirsi e Fileno", Theodora, Susanna, and two CDs of Handel arias. For the oratorio Theodora, she sang both the roles of Irene and the title character; and she has recorded Henry Purcell's incidental music for The Fairy-Queen and the title role of Dido and Aeneas with McGegan.
For her 1999 debut at the Wigmore Hall, Hunt Lieberson made a live recording of Lieder by Schumann (Frauen-Liebe und Leben, Op. 42) and Brahms (Op. 57) with the pianist Julius Drake."Wikipedia (edited)
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