In questa scena tratta da "Il dottor Mabuse" ("Dr. Mabuse, der Spieler", r. di Fritz Lang, 1922, Germania) Mabuse sta concentrandosi sulla sua futura vittima, il ricco Hull. Per rendere la sua progressiva minacciosa concentrazione l'attore nell'ultimo PRIMO PIANO fissa lo SGUARDO IN CAMERA.
"Il linguaggio cinematografico" (autore: Michele Corsi, Hoepli, Milano, 2022).
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