10 Most Paused Movie Moments

Published: 20 May 2016
on channel: Daily Dalli Dose 3D
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10 Most Paused Movie Moments
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10 Most Paused Movie Moments. Number 10, One horror movie fans heard that director William Friedkin had slipped various frames of a terrifying, pale-faced demon man into The Exorcist, they made it their job to track down those moments on VHS. They might have regretted doing so, given that Pazuzu - as he's known - is scary enough to haunt your dreams forever. There are a few instances of this guy popping up, and if you value your sanity, you'll stay away from the pause button. Number 9, Quentin Tarantino's movies are pretty much primed for pausing, given how dense and layered they are, both verbally and visually. Still, I'm not sure why casual fans of Pulp Fiction took such an interest in moments like: "Can I see Bruce Willis' penis in this scene if I pause it hard enough?" Rumor is that you can actually get a glimpse of Willis' little friend during the shower scene at the hotel in "The Gold Watch" segment - whether that's a good thing or not is entirely up to you. It's okay: you don't have to tell us. Number 8, The director's decision to leave a cardboard cutout in the background of a scene from '80s comedy Three Men and a Baby gave rise to a myth about there being a ghost visible if you looked hard enough. See it there as Ted Danson walks by? Kind of eerie, actually. Pausing this moment became standard procedure when people got bored of looking for that dead munchkin everyone thought was hanging from the light fixture in The Wizard of Oz and wanted to freak out their friends at sleepovers. A cardboard cutout was absolutely the way to do that. Number 6, A scene most of us will know. George Lucas famously left in this gaffe of a Stormtrooper hitting his head on the Death Star and while you don’t notice it the first see the movie, once you do notice it, it’s all you ever see. Number 5, There's something about a headshot coming out of nowhere that makes us want to go back and pause the movie during the moment of impact - let's call it Scanners syndrome, for lack of a better term. Brad Pitt's death comes so very unexpectedly in the Coen's Burn After Reading, and it all happens in less than a second. Number 4, After all the sh*t has gone down Psycho, Norman Bates ends up in a mental institution, where we see that he seems to have taken on his mother's persona entirely. To suggest this in something of a subliminal fashion, then, Hitchcock overlays a cheeky frame of a skull-faced Norman whilst we listen to to him nattering on in Norma Bates' voice. You had to be super quick to get this one paused at just the right time - people went mad trying to do such a thing in the VHS days. Number 3, Sometimes you need to pause a movie in order to really appreciate the time and effort that the filmmakers took to create a sequence of astounding quality. And sometimes you need to pause a movie in order to really appreciate whatever it is that Catherine Zeta-Jones' butt is doing. Number 2, Fast Times At Ridgemont High has a lot going for it, but there are, uh, "two" things in- particular that most people recall when somebody mentions the name of this movie. That's to say, many an adolescent boy spent the sum of those long, summer evenings pausing it at the exact moment when Phoebe Cates climbs out of the pool, walks towards the camera, and unhooks her bikini top from the middle. This is just a fantasy scene in the film, of course, which begs the question: was it necessary? Well, presumably they cast Cates, saw her in a bikini, and felt that it was their God-given responsibility to show the word her assets. Number 1, Arguably the most famous paused movie moment in cinematic history, made so presumably because it really plays into that "wait a minute: did I just see what I thought I
saw?" Territory. Sharon Stone was one of the hottest actresses of the '90s, of course, and she was probably never hotter than she is here in Paul Verhoven's erotic thriller Basic Instinct. Approximately 85% of the male population have attempted to precision pause this little ditty, in which her character - Catherine Tramell - offers Michael Douglas a little glimpse into her special area.


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