Panasonic LUMIX GH7 Review: The RAW Recording Phase AF Beast is Here!
The Panasonic LUMIX GH7 is here, and it's a RAW recording of Beast! The GH7 can record ProRes Raw Internally and features Panasonic's Phase-Hybrid Autofocus! If you've been waiting for the ultimate video-centric micro four-thirds camera, it's finally here.
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Video Chapters:
00:00 - Panasonic LUMIX GH7 is Here!
00:45 - Disclaimer & Ethics Statement
01:38 - My History with Micro Four Thirds
01:58 - GH7 Video Quality 4:2:2 10-Bit (Graded VLOG)
02:40 - What’s New: ProRes Raw Recording
03:24 - ProRes Raw 5.7k HQ in Final Cut Pro
04:08 - Open Gate Recording
04:26 - Sensor Overview
04:58 - Phase Hybrid / Phase Detection Autofocus
06:02 - Autofocus Limitations and Variations
06:17 - Old Lenses Video Autofocus Performance
06:40 - Audio Options
06:51 - NEW DMW-XLR2 Audio Adapter 32-Bit Float!
07:50 - DMW-XLR 2 & GH7 Audio Test (with Shure SM-7B)
08:45 - Real-Time LUT integration
09:18 - LUMIX Lab App (No Mp4 Lite Codec)
09:46 - IBIS/E-Stabilization Modes
10:47 - Vlogging Tests
11:28 - G9II vs. GH6 for Vlogging?
11:49 - Body Design
12:15 - Size Weight
12:55 - Screens
13:43 - GH6 Owners Benefits
14:07 - Dynamic Range
15:14 - Streaking vs. GH6 vs. Sony FX30
16:30 - Low Light
16:49 - VFR Mode (Slow Motion)
17:24 - Color Science
17:49 - Battery Runtime and Compatibility
18:56 - Overheating
19:30 - Photo Recap (Quick Info)
20:40 - HDMI Info Display is BACK!
21:08 - Swipe to Focus (in Manual Mode)
21:33 - My GH7 Review & DMW-XLR 2 Thoughts
21:59 - Micro Four-Thirds Body Size Debate
23:20 - Downsides
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