King's College Choir Cambridge Hymns O God our help in ages Past
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0:00 Verse 1
O God, our help in ages past,
Our hope for years to come,
Our shelter from the stormy blast,
And our eternal home:
0:31 Verse 2
Beneath the shadow of thy throne,
Thy saints have dwelt secure;
Sufficient is thine arm alone,
And our defense is sure.
0:59
Before the hills in order stood,
Or earth received her frame,
From everlasting thou art God,
To endless years the same.
1:27 Verse 4 Descant
A thousand ages in thy sight
Are like an evening gone;
Short as the watch that ends the night
Before the rising sun.
1:55 Verse 5 Trebles
Time, like an ever-rolling stream,
Bears all its sons away;
They fly, forgotten, as a dream
Dies at the opening day.
2:20 Verse 6
O God, our help in ages past,
Our hope for years to come,
Be thou our guide while troubles last,
And our eternal home!
Our God, Our Help in Ages Past is a hymn by Isaac Watts and paraphrases Psalm 90. It originally consisted of nine stanzas. In present usage, however, the hymn is usually limited to stanzas one, two, three, five, seven and nine. In 1738, John Wesley in his hymnal, Psalms and Hymns, changed the first line of the text from "Our God" to "O God." Both Watts' wording and Wesley's rewording remain in current use.
The hymn was originally part of The Psalms of David Imitated in the Language of the New Testament, published by Watts in 1719. In this book he paraphrased in Christian verse the entire psalter with the exception of twelve Psalms which he felt were unsuited for Christian usage.
The hymn is often sung as part of the remembrance day service in Canada and festive occasions in England.
The hymn tune "St. Anne" (common metre 86.86) to which the text is most often sung was composed by William Croft in 1708 whilst he was the organist of the church of St Anne, Soho: hence the name of the tune. It first appeared anonymously in the Supplement to the New Version of the Psalms, 6th edition in 1708. It was originally intended to be used with a version of Psalm 62. It was not until sometime later when set to Watts' text that the tune gained recognition.
Later composers subsequently incorporated the tune in their own works. For example, George Handel used the tune in an anthem entitled, "O Praise the Lord". J. S. Bach's Fugue in E-flat major BWV 552 is often called the "St. Anne" in the English speaking world, because of the similarity of its subject to the first line of the hymn tune, though there is some debate as to whether Bach used the actual tune after hearing it, or coincidentally created himself the very similar tune used as the fugual theme. Arthur Sullivan uses the tune in the first and last sections of his Festival Te Deum, first in a relatively standard setting, but eventually pairing it with a military march accompaniment. The American composer Carl Ruggles (1876–1971) used the text in his last composition, "Exaltation" (for Brass, Chorus, and Organ) in 1958, in memory of his wife Charlotte who had died the previous year. The hymn and words are also featured in Vaughan Williams's anthem "Lord, thou hast been our refuge", using both the Book of Common Prayer's words and those of Watts.
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