The Career Lessons Learned Of Senior Colorist Ferg Rotherham
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I’m excited to share my interview with Ferg Rotherham. He’s a senior colourist and his credits include “The Pope’s Exorcist”, “Heartbreak High”, and “Boy Swallows Universe.”
We discuss his journey in the industry and the mentors who have shaped his career. Fergus also talks about his transition into long-form grading and the challenges of managing his own schedule as a freelancer.
We talk about the process of grading some of his recent projects and the challenges when transitioning from theatrical grade to HDR.
Full show notes, links, and tutorials related to the topics discussed can be found at this interview's home page: https://mixinglight.com/color-grading...
00:00 – Introduction
02:00 – Mentors
03:17 – The Role of an Assistant Colorist
08:58 – Managing Time and the Room
11:21 – Transitioning from Commercials to Long Form
23:01 – Working with Different Color Management Systems
27:36 – Creating the Look for ‘The Pope’s Exorcist’
33:20 – Grading Reel by Reel
35:05 – Transitioning to HDR
38:24 – ‘Trim Days’ and Collaboration
39:08 – Theatrical vs. HDR
41:04 – Working Remotely
44:22 – Recognition and Awards
49:55 – Grading ‘The Unusual Suspects’
50:52 – Creating the Look for ‘The Unusual Suspects’
54:52 – Working with DPs Shelley Farthing-Dore and Mark Wareham
56:19 – Learning from Experienced DPs
1:02:28 – Working with references
01:04:22 – Moving to Queensland
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