RocketJump Film School

Creating Doubles: The Split-Screen and Beyond

How Star Wars was saved in the edit

Field Trip: Dolby Cinema

Freddie Wong at the Vancouver Film School!

One on One: Meg LeFauve

One on One: Joe Forte

The Special and Visual Effects of Dimension 404

So You Don't Want to Watch a Black & White Movie?

Embracing Accidents

Beginner Tips: On Writing Emails

Grip Hardware Essentials

RJFS On Set: Creating the World of Blark and Son

How to Rent and Load a Grip Truck

Behind the Edit: The Orson Welles Memo

How to Write a Logline

RJFS On Set: Creating the Characters of "Blark and Son"

Food Styling: Make Prop Food Look Great on Camera

Recording 101: Microphones

Lighting 101: Direction of Light

PRO TIP: Lavalier Mics

Harnessing Shadows

Creating The Illusion

Sound Designing the Unseen Character

In-Camera Transformation Effect

Lighting 101: Quality of Light

Intro to Tracking

Shots vs. Set Ups

Intro to Rotoscoping

Die Hard Editing Concepts

The RJFS Live Stream - Foley

Sound vs. Picture (RJFS Field Test)

Field Trip: Dolby Headquarters

Beginner Tip: Basic Focus Tools

Intro to Basic Keying [AE]

Telling Story With Off-Screen Sound

An Introduction To Film Budgeting

PRO TIP: How To Use A Histogram

What NOT To Say To An Actor: Part 2

Freddie's Keyboard Shortcuts [For Editing]

A Day in the Life of a Production Assistant

Lens Filters 101

FIELD TRIP: History For Hire

Luke Asks Questions

Face Swap Effect: Using the Puppet Tool in AE

Intro to Storyboarding

Filters & Story: Interview with Ira Tiffen

VFX Core Concepts 101

Cuts & Transitions 101

Sound Design for Cartoony Fight Scenes

Script Breakdown 101