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Convert Red RAW Footage Redcine X pro Tutorial
Follow this video to convert Red Footage in Proxy for editing and Final HQ for analysing and the final output Subscribe channel if it ...
17:43
Redcine X Pro Tutorial Part 0 - The Basics
Basic Tutorial on setting up your Redcine x Pro (beta 5) to Process Red One, Epic, or Scarlet Footage. Keep your eyes peeled for ...
4:28
RED TECH | REDCINE–X PRO [IPP2] Overview
In this RED TECH, we explore RED's new image processing pipeline in REDCINE-X PRO and its overall workflow. Learn how to ...
7:51
RED Camera Stills : REDCINE-X Pro [Road 2 RED Series]
JERSEY FILMMAKER EPISODE #16 - ROAD 2 RED : RED CAMERA STILLS IN REDCINE-X PRO-- Learn how to quick pull a still ...
0:36
[RedCine-X Pro] Red Epic Grade with RedCine-X Pro and Adobe Premiere Pro
Here I used RedCine-X Pro to Color Correct and Adobe Premiere Pro to Color Grade. I very much like this workflow wth Red ...
2:51
CineMoti Essentials: How To Use REDCINE-X PRO
A lot of our 2nd Unit™ footage is shot on RED® cameras and so knowing how to work with RED RAW .R3D files is important.
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RED RAW R3D Workflow using REDCine-X and Davinci Resolve.
New to RED Digital Cinema cameras? This RED R3D module will take you, step by step, through a complete RED Digital Cinema ...
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how to install REDCINE-X PRO and Color Correction R3D REDCINE-X PRO ,After Effects,Premiere Pro
how to install REDCINE-X PRO and Color Correction R3D REDCINE-X PRO ,After Effects,Premiere Pro.
10:30
RED TECH | Post Workflow | Adobe Premiere Pro
In this RED Tech, Dan Duran covers Adobe Premiere Pro's workflow with REDCODE RAW R3D footage. ▻ Using Adobe ...
6:44
Basic Red Workflow For FCP Using The Redcine X Tool
http://newdaypictures.com Tutorial showing the basic Red workflow for FCP using the Redcine X tool. This video shows the basic ...
7:52
How to Trim R3D Files to Save Hard Drive Space (and still be R3D!)
00:00 Intro 00:43 Software You Need 01:15 Working In NLE 03:03 Export Timeline (xml) 03:43 Redcine-X Pro 05:41 Comparing ...
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[RedCine-X Pro] Red Weapon 6K Underwater Grade
Footage is from a Red Weapon, shot at 6K and according to the Metadata, it was shot with a 16mm lens at an odd aperture of 9.1.
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Color Battle - Premiere Pro vs RED Cine X vs DaVinci Resolve
A color comparison between Adobe Premiere Pro CC 2017, REDCine-X Pro 42.0, and DaVinci Resolve 14 Beta The footage is ...
42:12
EDIUS Pro 7 - 4K Workflow for RED Users
このビデオでは「EDIUS Pro 7」の新機能をベースにEDIUS + REDCINE-Xの連携で実現するRED 4K RAWファイルの編集 ...
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Red Epic Workflow, FCP 7, RedCine X Pro, XML
It's a little bit sloppy but I suppose you will get the point. If you have any questions just ask.
22:04
[ RedCine-X ] Exposure, Noise and Color Correction
In this tutorial I talk about how to balance an image, push RAW data around, use the waveform monitor and check exposure.
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