Stalker (1979). Analysis of the film. Hidden meaning [1] (eng subs)
Andrei Tarkovsky wrote in his diary: “Somehow my desire to do a “Picnic” is similar to the state before “Solaris”. Now I can understand the reason. This feeling is associated with the ability to legally touch the transcendent ... ".
But did Andrei Tarkovsky really touched the transcendent in the film “Stalker” or was it something else?
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